LINKED REVIEWS
Jen Graves. “Naked or Nude?” Stranger, March 19, 2014.
http://www.thestranger.com/slog/archives/2014/03/19/naked-or-nude&view=comments
D.K. Row. “Thinking about Glenn Rudolph.” Oregonian, November 7, 2008.
http://blog.oregonlive.com/visualarts/2008/11/d.html
Regina Hackett. “Seattleite Glenn Rudolph finds cheap charm in NW landscapes.” Seattle P.I., April 4, 2004.
http://www.seattlepi.com/ae/article/Seattleite-Glenn-Rudolph-finds-cheap-charm-in-NW-1141782.php
Emily Hall. “Nearly Invisible.” Stranger, April 5, 2004.
http://www.thestranger.com/seattle/nearly-invisible/Content?oid=17674
SELECTED BIBLIOGRAPHY
Allan, Lois. Contemporary Art in the Northwest. Australia: Craftsman House, 1995, pp. 196-7.
Baell, Nancy. “A Photo Journey of Destinies on Parallel Tracks.” Ottawa Citizen, Aug 25, 1997
Berger, Paul. “100 Years of the Mountain.” Seattle Times, November 12, 1998.
Boylan, John, A. Gilligan, O. Smith, and E. Snow. Artwork for Aids. Seattle, 1990, p. 143.
Broadway, Penny. “Rudolph’s Warriors.” The Organ Review of Arts, May-June 2003.
Burns, Jim. “Glenn Rudolph.” Northwest Photography, August 1982, p.3.
Canadian Art, summer 1997, p. 15.
Carlson, Jae. “The Conversational Image.” Reflex, July-August, 1988.
Farr, Sheila. “A critic’s-eye view of the new Olympic Sculpture Park.” Seattle Times, Jan 18, 2007.
Fredericksen, Eric. “The Other Washington.” Stranger, December 23, 1999.
Glowen, Ron. “Glenn Rudolph at Linda Hodges.” Artweek, March 1995, p. 40.
Goss, Lee. “King of the Railroad.” Eastsideweek, May 5, 1993.
Gragg, Randy. “Tracking Time with the Snap of a Shutter.” Oregonian, April 24, 1993.
Graves, Jen. “Naked or Nude?” Stranger, March 19, 2014.
Hackett, Regina. “Seattleite Glenn Rudolph finds cheap charm in NW landscapes.” Seattle P.I., April 4, 2004.
_____. “Diverse Show Pays Homage to Rainier.” Seattle P.I., November 28, 1998.
_____. “Street Photographs Then and Now in SAM Exhibit.” Seattle P.I., January 5, 1996.
_____. “Exhibit Atones for NW Neglect.” Seattle P.I., September 1, 1994.
_____. “Tracking an Old Railroad’s Demise.” Seattle P.I., March 17, 1990.
Hall, Emily. “Nearly Invisible.” Stranger, April 5, 2004.
Harrington, Lamar. Bellevue Art Museum (catalogue). Bellevue, 1987.
Kangas, Matthew. “Redneck chic.” Art Ltd., January 2008.
Kirby, Lynne and Karen White. Track Records and Contemporary Photography.
Ontario: Oakville Galleries, Canadian Museum of Contemporary Photography,
Fleming, Marnie, ed., 1997, pp. 27, 29, 81-83.
Mathieson, Kathy. “The Land.” Seattle Times, February 10, 1989.
Mays, John Bentley. “Train Show Right on Track.” Globe and Mail (Ottawa), Aug. 9, 1997.
“New Faces.” American Photographer, May 1986, p. 35.
Row, D.K. “Photos of High Contrast: Somebodies and Nobodies.” Oregonian, March 9, 2003.
_____. “Thinking about Glenn Rudolph.” Oregonian, November 7, 2008.
Rudolph, Glenn. “Hereabouts: NW Pictures by Seven Artists.” Seattle Art Museum, 1999.
_____. “Lee Friedlander at the Seattle Art Museum.” Reflex, May-June 1989.
_____. Letter. Art in America, April 1987, p. 11.
_____. “Boldt’s Decision Took Root at Medicine Creek.” National Fisherman, May 1981, p. 38
_____. “Way Down Upon the Duwamish River.” Seattle Times, February 19, 1978.
Rugoff, Ralph, ed. Baja to Vancouver: The West Coast and Contemporary Art. California College of the Arts,
Wattis Institute, 2004, pp.94-7, 141.
Slemmons, Rod. From the Floating World to the Street. Seattle: Seattle Art Museum, 1995.
_____. Photography in the Collection of the Seattle Art Museum. Seattle, 1990, p. 19.
_____. Three Points, Twelve Views. Seattle: Seattle Art Museum, 1986.
_____. Documents NW: Glenn Rudolph. Seattle: Seattle Art Museum, 1986.
Smallwood, Lyn. “Beyond Mysticism.” Seattle Weekly, June 20, 1990.
_____. “Spectral Railroad.” Seattle Weekly, March 14, 1990.
_____. “Troubled Nature.” Seattle Weekly, February 22, 1989.
“Track Records and Contemporary Photography.” Canadian Art, Summer/June 1997, p. 15.
Tu, Janet. I-Chin. “Capturing the NW Vernacular.” Seattle Times, February 27, 1997.
Updike, Robin. “Pictures of Hereabouts.” Seattle Times, December 14, 1999.
_____. “A Striking Offbeat Show.” Seattle Times, December 23, 1999.
Weinstein, Joel. “Skewering the Backyard Barbecue.” Oregonian, April 16, 1993.
Wilner, Lucy. “Nonfiction Photographs at Linda Hodges.” Reflex, Feb/March 1995.
Jen Graves. “Naked or Nude?” Stranger, March 19, 2014.
http://www.thestranger.com/slog/archives/2014/03/19/naked-or-nude&view=comments
D.K. Row. “Thinking about Glenn Rudolph.” Oregonian, November 7, 2008.
http://blog.oregonlive.com/visualarts/2008/11/d.html
Regina Hackett. “Seattleite Glenn Rudolph finds cheap charm in NW landscapes.” Seattle P.I., April 4, 2004.
http://www.seattlepi.com/ae/article/Seattleite-Glenn-Rudolph-finds-cheap-charm-in-NW-1141782.php
Emily Hall. “Nearly Invisible.” Stranger, April 5, 2004.
http://www.thestranger.com/seattle/nearly-invisible/Content?oid=17674
SELECTED BIBLIOGRAPHY
Allan, Lois. Contemporary Art in the Northwest. Australia: Craftsman House, 1995, pp. 196-7.
Baell, Nancy. “A Photo Journey of Destinies on Parallel Tracks.” Ottawa Citizen, Aug 25, 1997
Berger, Paul. “100 Years of the Mountain.” Seattle Times, November 12, 1998.
Boylan, John, A. Gilligan, O. Smith, and E. Snow. Artwork for Aids. Seattle, 1990, p. 143.
Broadway, Penny. “Rudolph’s Warriors.” The Organ Review of Arts, May-June 2003.
Burns, Jim. “Glenn Rudolph.” Northwest Photography, August 1982, p.3.
Canadian Art, summer 1997, p. 15.
Carlson, Jae. “The Conversational Image.” Reflex, July-August, 1988.
Farr, Sheila. “A critic’s-eye view of the new Olympic Sculpture Park.” Seattle Times, Jan 18, 2007.
Fredericksen, Eric. “The Other Washington.” Stranger, December 23, 1999.
Glowen, Ron. “Glenn Rudolph at Linda Hodges.” Artweek, March 1995, p. 40.
Goss, Lee. “King of the Railroad.” Eastsideweek, May 5, 1993.
Gragg, Randy. “Tracking Time with the Snap of a Shutter.” Oregonian, April 24, 1993.
Graves, Jen. “Naked or Nude?” Stranger, March 19, 2014.
Hackett, Regina. “Seattleite Glenn Rudolph finds cheap charm in NW landscapes.” Seattle P.I., April 4, 2004.
_____. “Diverse Show Pays Homage to Rainier.” Seattle P.I., November 28, 1998.
_____. “Street Photographs Then and Now in SAM Exhibit.” Seattle P.I., January 5, 1996.
_____. “Exhibit Atones for NW Neglect.” Seattle P.I., September 1, 1994.
_____. “Tracking an Old Railroad’s Demise.” Seattle P.I., March 17, 1990.
Hall, Emily. “Nearly Invisible.” Stranger, April 5, 2004.
Harrington, Lamar. Bellevue Art Museum (catalogue). Bellevue, 1987.
Kangas, Matthew. “Redneck chic.” Art Ltd., January 2008.
Kirby, Lynne and Karen White. Track Records and Contemporary Photography.
Ontario: Oakville Galleries, Canadian Museum of Contemporary Photography,
Fleming, Marnie, ed., 1997, pp. 27, 29, 81-83.
Mathieson, Kathy. “The Land.” Seattle Times, February 10, 1989.
Mays, John Bentley. “Train Show Right on Track.” Globe and Mail (Ottawa), Aug. 9, 1997.
“New Faces.” American Photographer, May 1986, p. 35.
Row, D.K. “Photos of High Contrast: Somebodies and Nobodies.” Oregonian, March 9, 2003.
_____. “Thinking about Glenn Rudolph.” Oregonian, November 7, 2008.
Rudolph, Glenn. “Hereabouts: NW Pictures by Seven Artists.” Seattle Art Museum, 1999.
_____. “Lee Friedlander at the Seattle Art Museum.” Reflex, May-June 1989.
_____. Letter. Art in America, April 1987, p. 11.
_____. “Boldt’s Decision Took Root at Medicine Creek.” National Fisherman, May 1981, p. 38
_____. “Way Down Upon the Duwamish River.” Seattle Times, February 19, 1978.
Rugoff, Ralph, ed. Baja to Vancouver: The West Coast and Contemporary Art. California College of the Arts,
Wattis Institute, 2004, pp.94-7, 141.
Slemmons, Rod. From the Floating World to the Street. Seattle: Seattle Art Museum, 1995.
_____. Photography in the Collection of the Seattle Art Museum. Seattle, 1990, p. 19.
_____. Three Points, Twelve Views. Seattle: Seattle Art Museum, 1986.
_____. Documents NW: Glenn Rudolph. Seattle: Seattle Art Museum, 1986.
Smallwood, Lyn. “Beyond Mysticism.” Seattle Weekly, June 20, 1990.
_____. “Spectral Railroad.” Seattle Weekly, March 14, 1990.
_____. “Troubled Nature.” Seattle Weekly, February 22, 1989.
“Track Records and Contemporary Photography.” Canadian Art, Summer/June 1997, p. 15.
Tu, Janet. I-Chin. “Capturing the NW Vernacular.” Seattle Times, February 27, 1997.
Updike, Robin. “Pictures of Hereabouts.” Seattle Times, December 14, 1999.
_____. “A Striking Offbeat Show.” Seattle Times, December 23, 1999.
Weinstein, Joel. “Skewering the Backyard Barbecue.” Oregonian, April 16, 1993.
Wilner, Lucy. “Nonfiction Photographs at Linda Hodges.” Reflex, Feb/March 1995.